Fujifilm has officially announced a new medium format cinema camera built on GFX ENT55, company’s GFX system, with a new zoom lens, Gf 32-90 mm T3.5 pz ois WrBoth products are expected to ship in October 2025, with the camera $ 16,499.95 and lens $ 5,999.95.
GFX INRAN 55 The cinema still represents the biggest push of Phujifilm, stating what the company says to the highest digital film production sensor available for purchase. Its 102 MP CMOS II HS sensor measures 43.8 x 33.9 mm and supports several types of recording formats including Open Gate, Enamel and Super 35. Fujifilm also highlighted its integration with Cloud Workflow with Adobe’s Frame.IO camera, making it more production for professional film and broadcast environment.
Film launched for GFX INRAN 55, OkCinematographer was shot by Oreen Softer, who praised the color science and flexibility of the system. John Blackwood of Fujifilm, director of the product marketing, emphasized the scale of the sensor, its compatibility with both circular and enamorphic glass, and the ability to load 16 custom luts for streamlined production and post-production.
Main Glasses: Fujifilm GFX INN 55
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Censor: 102 mp CMOS II HS (43.8 x 33.9 mm, Bayer Filter)
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Processor: X-processor 5
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Domestic ISO: Dual base ISO 800 and 3200
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dynamic range: 14+ stops
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ND filter: Electronic variable ND (ND0.6-ND2.1, 0.15-stop increment)
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Autofocus: Hybrid AF (face, animals, vehicles, airplanes, trains) with the subject detection
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Recording format:
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Codecs: Apple Prres 422 HQ, Prres 422, Prres 422 Lt, Prres Proxy, H.265 (10-bit 4: 2: 2), H.264 Proxy
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External Recording: 12-bit raw on HDMI
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Media: CFEXPRESS Type B and SD Card
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Supervision:
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5.0-inch 2,000-NIT LCD touchscreen (1920×1080, 6.22 m dots)
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3.0-inch menu display (700 NIT, 1.04 m dots)
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Film simulation: 20 options that include classic chrome, indifferent negative and velvet
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3d lut support: Import and store up to 16 custom luts
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Networking: Wi-Fi (WPA2/WPA3), Ethernet (RJ45), Bluetooth 4.2
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Remote Control: Web browser-based multi-camera control
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I/o ports: 12G-SDI OUT, Timecode in/Out, Genlock, Headphone/Mic, Remote, Lens Power, DC In/OUT
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Dimensions: 110.8 x 138.2 x 176.8 mm
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weight: 4.41 LBS (without battery or media)
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Power: NP-W225 Battery, DC Input, V-Mount Support
Main Glasses: Fuzinone GF 32-90 mm T3.5 pz ois Wr
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focal length: 32-90 mm (full frame equivalent: 25-71 mm)
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Maximum aperture: T3.5
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Minimum aperture: T32
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Aperture design: 13-blade goal diaphragm
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Lens construction: 25 elements in 19 groups (3 Espherical, 3 Ed)
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Minimum focus distance: 0.8 m (2 feet 8 inch).
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Filter thread: 11 mm
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Dimensions: 114 mm front diameter, 222.5 mm length
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weight: 4.74 LBS
High quality cinema
GFX INRAN 55 The high-end is targeted in cinematography, where format flexibility and image loyalty are important. Unusually long 4: 3 sensor gives filmmakers to pair with anamorphic lens or to achieve a large-to-up-frame aesthetics with spherical glass. Built-in film simulation and lut support cater requires rapid turnaround without renouncing color quality, while strong I/O and remote-control options make it viable for multi-camera broadcast setup.
GF 32-90 mm T3.5 The GF lens of the Fujifilm expands the lineup with a stable, weather-resistant cinema zoom, designed to cover the large GFX image circle, which gives the productions a versatile mid-range option to pair the intake 55.
Industry rollout
The GFX will demonstrate the GFX End 55 in a series of upcoming industry incidents including Fujifilm NAB NY (22-23, 2025 October, 2025), Profession Expo (5-6 November), and Camelimage (15-22 November) in Poland (15-22 November) in Poland.
conclusion
With GFX Eterna 55, Fujifilm is bringing its medium format specialization in cinema space with a bold sensor design and production-taiyar workflow features. Added with new GF 32-90 mm T3.5 lensesThe system represents a new toolset for filmmakers, who want the scale and color of the medium format capture and color flexibility, maintaining the reliability of the fuetic imaging ecosystem of the fujifilm.
All camera paintings by Timur Sivan. All lens images by cocoa tolantino.
