Nikon Nikkor Z 24-70mm f/2.8 s II has become one of the most practical devices for the shooting weddings. The flexibility of a zoom makes it possible to move quickly between broad installed shots and tight paintings without the juggling of many lenses, which is important when working in a fast book, unexpected environment.
Coming from you Taylor jacksonIt shows the thoughtful video how Second edition of 24-70 mm f/2.8 Improves the original. The first generation Z lens were already popular, but Jackson explains that autofocus performance on the new model while zooming is far more consistent. In the past, you can briefly focus when pulling into the tight, making the clips feel less polished. With this upgrade, the focus is locked on and stays there, while reviewing the footage you immediately notice something. For marriage work, where there are once moments and cannot be repeated, this stability matters.
This lens is not only about better focus. Design changes also affect how you can use it in practical situations. The inner zoom keeps the balance stable, which is particularly helpful if you mount the camera on a gimbal. Such small differences mean short -term reconscience and more time actually captures the event. The weight of the lens is also lower than the original and uses 77 mm filter thread instead of 82 mm, which keeps items such as ND filters more inexpensive. Even details such as click on/of aperture options and an easily placed autofocus/manual focus switch experience is smooth.
Major glasses
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Focal Length: 24 to 70 mm
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Maximum aperture: f/2.8
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Minimum aperture: F/22
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Lens Mount: Nikon Z
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Format coverage: full-frame
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Minimum focus distance: 9.4 “(detailed) to 1.1 ‘(tele)
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Magnitude 0.32x, 1: 3 macro ratio
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Optical Design: 14 elements in 10 groups
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Aperture Blade: 11, Gol
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Focus: autofocus
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Image Stabilization: None
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Filter Size: 77 mm
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Dimensions: 3.5 x 5.9 in / 90 x 150 mm
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Weight: 1.5 lb / 675 grams
Jackson also emphasizes how well the lens handles the difficult lighting. Shooting in direct sun or slow places usually exposes the flaws of a lens quickly: fringing, loss of contrast, or an image that seems just cheap. The new coating and optical design cleaner provides results, and this is clear from their side-by-side with the original version. For those who used to do prime, Jackson still depends on its 85 mm f/1.8 for parts of a wedding, but 24–70 mm now covers more during the day with confidence. Watch the video above for full randon from Jackson.
