Just think how it feels to step into the shoes of two of the most revolutionary and influential designers of this century. Michael Ryder today took this challenging test for Ceelin in his first show. Internet comments were already well in pondering comparisons as their beginning: Skinny Slimen legs (for women and men!) Come back, filo-cut big-shielder, echo of narrow-edged, the way he tied a bourgeois silk scarf bandana-war.
Oh, and all those oversized rugby shirts, old school relationships, chic American minimum evening dresses and some prepy ralph-lauren -ish in odd straw cap?
All this makes the right understanding when you know that the rider has come up with an industry lineage, which he is accumulated by working for the Nicholas Gesquare, in his great years in his great years with Balensiaga, with Seleen (during Philo’s last period) and Ralf Lauren (where his final role was as a creative director of Polo Ralf Loron). He explained his personal outlook on Ceelin’s relevance in the last half of this turbulent decade: “I hope people want things that finally want,” he said backstage. “I don’t think the things that do not have to feel finally exciting. And I think when they get two things, the way I love things that you love, you keep in yourself and you can be in yourself. And that is the quality.”
A beautiful coat is a beautiful coat. Many of them were: in camels, ivory, black, plus jackets in many recurrence, grass green, scarlet, beige, black. Rider said, “Their runway was taken away from the layering,” there are things that can be worn in many different ways. “Speak like a designer with the mentality of a true American Games.
The idea of timelessness and heirloom dressing somehow is in the sink with a time filled with a struggle when certainty is convinced. In this context, Celine came back to the middle-Shatabdi with her Paris bourgeois silk scarves and Ladlaic accessories (it began as children’s shoe shop)-to detect the correct source material for the ordeal. For an American like him, the results can be easily tagged as “prepy”. In France, however, it is always known as the BCBG (Bon Chic Bonn style), and in England, well, the 2020 equivalent will be descendants of the 1980s Slon Rangers. Old school dress codes are growing in full fashion.
Rider integrates the Seel silk scarf in the dress neckline. The attraction bracelets became exaggerated piles. Tight Argyle sweaters were sported. Young men seemed to donate their father’s old suits and relationships, or slap on a fishing jacket, which looked like a new generation of racish sticks.
Is he filling for shoes? The rider was clearly demonstrating respect for the great people of Seleen, with a sign for its years in the Ralph; The cool continuity, the breakdown of the rock-boat may not be the name of the game for a home that has been endowed for years on the Pard-Downing Classic pieces of Heidi Slimen. But then, when it came to real shoes, something was happening to the rider.
Soft, like gloves, foot-hugging jazz-pump or tight, clever wrestling-boot high-tops launched the ratio in such a way that nothing was for the previous order of things. It was one of the notes that succeed in being successful in the cause of sudden reconsideration between asymmetrical and a avant-garde mentality. The whole is very good, but a little fashion disease always welcomes.
