Samantha Tannehill off Tannehill interiors A New York City Pied-e-Terre is designed that shows how contemporary residential design can channel the global craft languages without authentically falling into the appropriation-can build places that respect the cultural exchange of culture through the customer’s journey and service. it West Chelsea The apartment shows how deliberate content cures can create authentic relations between local and global aesthetics.
Bouquet chairs anchor the living area with handwowan texture, while velvet cushion and linen wallpaper Deadar Create a layered experience. Set the stage with the entrance Fero and Balls Dimity 2008, a paint option that gives the designer’s fine approach to color as a living material. These changing neutral neutral showers show the rich pigmentation and complex ventures of the ball which are shifted through the condition of light throughout the day.
“The owners and I clicked right from the beginning,” Samantha Tannehill remembers. “Interestingly, I stay down from the hall from them, so we already had a neighboring relationship. When they experienced floods, it opened the conversation about renewal. They initially had questions about floors and contractors, and eventually helped me build a house that really felt like their personality and lifestyle expansion.”
The wall of the apartment’s gallery serves as cultural bridges of African art – instead of considering global effects as foreign goods, Tannehill located them as basic elements that indicate the entire spatial story. Natural fibers in baskets and decorative objects, which described the lump as a “generous, bohemian space”, intentionally cure and carelessly accumulated with pieces.
For more information about tannehill interiors, see tannehillinteriors.com,
photography by Patrick Xiong,
