Stephanie Danan had a clear instruction for the CO’s resort collection. “She is not an forgiveness woman,” she said. “There is no nonsense. He has a rubbish together.” This attitude was clear in clothes that are on your face and sometimes “a bit away”. A pencil skirt with a contrasting layer of white pleated fabric; Sweater with extra-wide shoulders that lay in zoo, scratch, torn, and worn-in on the waist.
The sewing collection was the strongest point. A double-breadted suit in the wool melting was severe with strong-but-bubbly drop shoulders and a need-in waist, which made the silhouette in a way with the crus-cross cone heel sandals and pre-bobs of the model to make the silhounds real, while an eggplant double-breadd jacket had an unexpected ribbed details. But even when the suiting was a pure version of its own, Styling developed a more license-fare vision: Watch the monochromatic gray single-breadted suit worn with a matching button down shirt, and topped with a matching trench coat. It was difficult and yet it was… pajamas. Current!
Duchess was a piece of satin, like a bomber jacket, or a trench-inspired jacket and matching skirts, similarly destructives; So many women managed to extract the energy of charitable untouchability with a cloth. “As I get older and I not only start thinking about the things I wear, but I am as a woman, one thing that becomes more and more clear, is a sense of confidence and does not require any recognition,” she said. “The idea is that when a woman does not need verification, she is a little scared, and has a lot of power.”
