The N.21 lookbook was shot at the empty streets of a deserted match at night. “I love the old buildings of the city with their entrance and front doors and its terrible nocturnal atmosphere,” designer Alesandro del ‘said. But the new collection was not for late night parties or hours of thrill. Absolutely opposite. Dell’acqua is a cool contradictory, and the resort focuses on the Kwidian as well as one-twist look that he does very well.
In the appointment of a showroom, the rack paired with an ankle-charai light wool skirt with neoprine-bonded fair isle cotton sweatshirts, which styled with sporty striped pollos, and yellow brokeateley skirts were paired with a suit, whose children were troubled by varan-in Denim shir. Dell’acqua explained that he wanted to “go back to the basics”, but was intensified with “essential imperfections” so that they could not be made so safe-a inherent mixture of feminine and feminine, to give it some louch edge with vintage glamor of the 1940s.
Every day staple-like black leather perfectose and checker duster-seed evening dress and hand-pressed silk, which were dotted with sparse flowers. The styling leans of dell’acqua is only eccentric enough to surprise, but always stays on the ground in the ability to wear. Clich gets a soft shake-up, never complete rejection. He said, “I give a bit of encouragement of courageous spirit – intuition, creativity, and a dash of non -achambha,” he said. “Fashion is not just for big moments, it does not need to be intimidated, either. I want to give women tools everyday.” At a reasonable price, it is definitely a smart, feel-grade move.
