Text details provided by architects. At the end of a long passage Bobbingon Green Studio House stands. Well embedded between a very odd existing building stock, it makes the center of property. In direct proximity, the customer’s family members, garages and listed Kosimosinian palace are residential buildings – the oldest secular building in Bobbingon.
The customer, an artist, wished a studio in his childhood place. The result is an 18-meter long, single-story new building that resembles a barn. This reflects the character of local structures and makes it defined. The simplicity becomes the guide theory: on an uncontrolled concrete slab, a clear, long wooden structure is placed with a specific gabled roof. Details designed, such as graphic folds of the roof surface in the gutter become expressive elements. The color scheme and a well -smuggled road facing the barn gives the house a confident external appearance. This structured clarity continues inside the studio.
The interior ladder core with its auxiliary wooden studs divides the core long building into two areas: studio space and living area. The core also provides space for a cooking house and bathroom. The reconded attic provides adequate storage for art and reduces the height of the roof in the living area below, causing a sense of cozine. The materials and constructions used are remarkably simple: Structural Ground Slab was only planned for smooth. The gabeld roof saw-beating appears in the teh studio and shapes the atmosphere.
Like a barn, the opening of large masks can be completely closed with external sliding doors. Unlike the green board-clad mask and green bitumen roof membrane, the structure of the walls and inner roof is white painted. This deliberate decrease in color provides the artist the necessary working environment with good natural light. The painting hall can be used for flexible exhibitions in a flexible manner, as sliding doors allow the configuration of different rooms.
