New York’s seventh Avenue is known as Fashion Avenue. Perfectly, between the 14th and 34th roads, there are present in all aspects of making and selling apparel, and exist. Designers, patternmakers, manufacturers and showrooms have addresses here, as Once Upon a Time, Barniz New York. The doors of an empty department store were now last opened for the Parsons graduate show, where enough work was presented to fill the space – and then something.
Keeping something new in the world is an expected activity. As such, the talent was uplifting the performance, but at the same time it was heavy: 263 students participated in the show, which was called a common thread, each shows a look. The thoughtful groups of the looks provided some consistency and rhythm to get out, but as students were not identified in any way, the takeaWays were limited to broader trends. Some of them had a sense of diastopian. Some researches at the students’ online portfolio showed that one model made a quiver of arrow and the other a gas mask; There were breastplates on the runway, as well as references to Samurai Kavach. The students combining protective elements in Street-Smart were June chains (Look 5) and Quen (Look 140). Daewong (Dae) Um (Look 83) and Lawrence Wei offered sophisticated distortions of streetwear; Cattyine Lynn (Look 18) did a lot with sewing.
The completion of the study corresponds to a certain break with childhood, which seemed longer to catch many students. There looked many naive, some character was taking the form of dressing – cusec, medieval knights, Yeti and Anime types. The ball was a wide confection (look 111) of a dress as a result of the attraction of Jizhuo Li with the ball joint doll and color pink, which aims to challenge ideas of perfection.
Amidst the mastery of the craft in the show, Ryan Godovin (Look 46) and wasted MA (Look 191) were particularly careful. GDovin, a transforce, hand-string innumerable glass beads as “ritualiz (ing) hormone procedure of replacement” as a means “; While Ma surprised the complex folded pieces of cloth together. The romantic declaration describes the work of Zengu Liu (Look 185), whose work melts east and the West as well. Che mined Han Cho (Look 137) of his own mixed Korean/Mexican heritage, resulting in a look that was expressive and frightening. Similarly, an element of romance was introduced for all black collections through Don Fang (Look 32) and Drapri (Look 176) of Rui Zhu.
Among the students representing the menwear renaissance are Georgia Wenig, who only work with the existing material (look 1), and Julian Wolf, which consider identification and beauty through a queue lens (look 77). Wolf’s work has some connection with Willie Chavaria, with Sipora North American President and CEO Artemis Patrick, and the CEO of Fifth Avenue Association, Madelin Wils, was honored at the annual Parsons Benefit. In the evening raised $ 1.2 million and attracted the choice of Calvin Klein and Donna Karan.
