Zoya Nandergiker There is a lot in your country to inspire him, especially objects and forgotten techniques that are centuries old. She believes that the design is not only a form of expression, but also a tool for cultural protection that she uses in her practice. Nandurdikar says, “There is a huge and diverse landscape of materials, skills and stories across India, and the possibilities feel endless.” “Re -introduction of these crafts in a contemporary setting is not just being creatively completed, it is a way to re -present and re -interpret them for a comprehensive audience.”
In 2001, Nandurdkar and Amrita Guha established the firm in New Delhi Ignorant designWith the emphasis on responsible luxury. With an analog approach to each project, Nandurdkar encourages a dynamic exchange between his team and artisans to mix traditional and modern elements.
The partners decided to bring the same ethos under the product, and so they launched Pulmonary science In 2022, a line of decoration. The pair works with the artists that it offers Besbok pieces made of marble, wood and stone inle. The cooperation is at the center of the creative process of Nanderdikar, and he finds magic in scribals or laughter shared on a cup of tea.
It is in these moments of collective energy that some of the most unpredictable – and meaningful – thoughts come into life. Nevertheless, the designer also appreciates the peace of her personal place, where she can put the ground and embrace which she calls “quiet joy”.
Someday you would like to detect nandercharged curns. He is particularly interested in conversation between history and contemporary issues. “This is an area that encourages me to expose ideas and imaginative minds to expose me to a rich tapestry,” she notes. “The idea of shaping narratives through art and spewing emotion or reflection in an audience seems incredibly powerful to me.”
Today, Zoya Nandurdikar joins us Five FridaysTu
1. Art of art
There is some deep compelling about how traditional stories and motifs are rebuilt through a contemporary sculpture language. This installation is an ideal mixture of modern sculpture and mural art, which is a painted craft form from Kerala. Physicity is a combination of stained brass with figures painted.
2. Goddess
I am deeply praised by the idol of a goddess, and it reflects deeply who I am and what I am able to do. With the name of a goddess, I walk in her essence. His power shakes my soul and is the strength behind what I make. She wakes up, offers gold water to fire and gold. He is both prayer and war, both celebration and victory.
3. On water
I wish all my evenings were spent on a boat, can be slowly like sailing through the holy water of the Ganges. The soft wave of the river under me and reflecting your surface of the evening, feed my soul and calm some things by ways to calm my mind.
4. 19th century cabinet
I fell in love with this magnificent piece of furniture during my visit to Risksmusium. In 1867, a good composition dating back was designed and designed for Charles Gilliom Daihal. Its complex description, sophisticated ratio, and sheer elegance hold the essence of the 19th century craftsmanship with timeless attraction.
5. pipe organ
During my visit to a chapel in Milan, I discovered a royal pipe organ, which immediately shook the feeling of apathy, reminding me of the Haronium I learned to play once and the piano my daughter now plays. The use of organ with its vast appearance and resonant depth has been widely used in classical music to date from Renaissance.
Zoya works by Nandardiker and Untitled Design:
Grace
A residential project in South Delhi, the floor of Anugra, the cast in-seitu is adorned with a composition of stones and brass in detail in detail. Excellent craftsmanship is observed in this description, where each careful piece makes a harmonious mixture of textures, colors and materials, which forms a bold statement that defines spatial narratives.
Katha Tarana
The main 40-foot wall in the lounge of Niwas Katha Tarana is associated with a wooden marketing mural from Mysore, shown as an auspicious symbol of Ashwakath, which is placed in traditional race and resembles a puzzle puzzle. The coffee table by furgonomics, named Elemental Alchemi, is also depicted in the center of space, which celebrates the chapter of the edges, including Z, Ceramic, and Indian sandblast sandblast with sandblast sandblast sandblast. Two pieces of art meet Ara puzzle, joining with an artistic interaction of elements.
Aura
Abha’s entry is the characteristic of a mesmerizing water in the heart of the lobby, designed to embodiment generosity and spiritual abundance. Memorable stone slabs form their foundations, which are beautified by Guruji with blessed brass and silver khadau. Each element is complicated with a holy shift script, its words flow with timeless knowledge.
Urban stove
The frame is set as a contradiction, with an original light installation by Ankon Mitra and a chili sculpture by Subodh Kerkar. These two establishments form a striking contrast in both color and emotion – one removes spicy attraction, the other as a feather as light.
The establishment features Gond Art facilities by nationally acclaimed and award-winning artist Venkat Shyam, which is presented by Fergonomics as part of Craft Cluster initiative-a program dedicated to conventional crafts. Each piece contributes to the atmosphere with depth and intrigue, inviting exploration and thinking.
Flow
Regardless of limited natural light, a residential project in the basement room of the Kashmiri cage Latiswork Give, a residential project in New Delhi, turns into a jewelery-box environment. Complex wooden functions filter limited light, putting a warm glow throughout the room.
To monitor the dining room is the verb console by furgonomics, which is designed with a striking combination of dokra technique and monolith materials, which represents the delicate process of growth and change. The quality of the touch of the verge is reminiscent of an intelligent or a soft air of smoke, as a functional element, but also as a sculpture statement.