In a regular version of Shanghai Fashion Week, the CT LIU show for the CPLUS series takes a headline spot. But it was not a regular SHFW: A slimmer lineup of presentations meant that designers like Liu did the runway for the showroom, focusing on commercial offerings to further the economic storm.
Liu makes the appropriate fashion show dresses – the idea of ​​presenting through bilovi fabric, flicker frock, one evening style or two – so the idea of ​​presenting through the lookbook was not particularly enticing. But being a good game, he challenged as an opportunity to do more with less, shooting this set of images at the place of his showroom amidst the market appointments and a mixture of his style-style-radi maximalism and peak 2000s American apparel-finger mixture. With his magnificent faces, his models look like aliens or fairies or extra in a science-fi film. Even if there was any wisdom that he was compensating for his absence from the catwalk, he made it well with his output round. It was a skirt suit, a sparkly frock, or a pair of gray sweatpants, it was all clarity about who could be the person wearing it.
The designer explained in a walkthrough that he had no elevated concept or multi -layered inspiration. The collection was an exercise in making some good, fun, sellable clothes – as in any way as a discovery. While there was no shortage of club-redness, in Liu Excel as well as out pieces, he gave a good argument for the way his clothes could be adapted to day time. “He is a boss, but more likely to make a deal in a Y2K look than a suit,” he jokingly said. The mixture consisted of sweaters and knots, with some wrapped collars, other fuzzy and scorching, and still faster, sewing-like shoulders, as well as balloon-headed blouses, covered in sheer sequins, and separate the flowers of illustrations on a button-down and a shear jacket. In a season of Corp-Core, Liu made a solid case to maintain a point while dressing for the office and beyond.
