Walk around the omotesando early in the morning of a week and you will present them. Their unmistakable finer dresses, dressed-puffy skirts, pearl-button suits, and chunky sneakers-ways gradually convert into the streets, are also different from the pay scale and women dressed in horrific clothes in their own way to work perfectly. The destination of these unique but equally stylish disciples is the same: the Com’s Garcons office in Aoma. This is a com -UT.
It is an unique experience of joining the Com Staff on its way to work inadvertently offers a preface to the runway show of Tao Kurhara, which is in a dark concrete room on the seventh floor of the brand headquarters in each season. TaO shows take place here, in the inner sanctum sanctorum of CDG, seems right. The designer is a relatively hidden component of the stable, it is that she does not show in Paris in Paris such as Kei Ninomia or Junya Watanbe. Among all the senior designers of the company, the aesthetics of Tao sits closest to the main line – yet it remains uniquely its own, a fearless eccentric force that is difficult to define but easy to identify.
In this season, Kurhara challenged himself to use materials that they had never used before (fake leather, metal clothes, sequins). He called the collection black and gold, and so it surfaced: shiny black, panel skirts and floral embroidered vests, buttons-up shirts and white colored brightness in white T-shirt sleeves, and then the scirt and a subtle glow of gold in Mary Jens.
After Black and Gold, there was a sudden change for Scarlet Velvet and a dash of plaid, as well as a collaboration with some silver and gold comb ornaments – Comb Artisan Lovecarom. Subsequently, a brief but grand explosion of baroque print and gold spatting, chocolate-color tulle, which was tied in chaotic lumps across the torso, was tied in chaotic lumps across the torso, the most in the Tier Rafal skirts that were thin and delicate as gold leaf. In clarification, characteristicly brief show notes written: “A world that brightens bright in darkness.”
So what is that world, and where did the story come from? Ornate prints, white ruffles, and mojart-size wigs, of course, were a reference to Roco Menswear? “no way!” After the show, Kurhara was happy with joy. “If he came, it was completely unconscious.” This red? “I thought the collection needed it.” And what did you want to express? “I wanted to make something that people think, ‘Oh!”
The purity of the approach has powerful and fresh creativity; You cannot imagine that Kurhara will tolerate the demands of a business or marketing department to be more commercially, and yet they are fully wearable. Come, Sharad, Omotsando and beyond the Tao fans will donate those golden skirts and flowers-brown coats on their morning voice-each one of the small world, bright in darkness.
