Kisuke Nagami’s brain yield sits at the intersection of Harra, fashion and technology. In fashion design, one intelligent designer with one leg and second in computer science, Nagami makes clothes that are future and space-sores, informed by various digital programs that he manipulates to refer to as ‘marginal wear’. Established 15 years ago, the brand has followed a significant following in the industry; Tokyo had half of the fashion designers in Tokyo, who left to see what Nagami’s vision would look on the runway.
The prints created the strongest element of the collection. The refraction of patterns and lights such as chrome was ripped on billing smokes, knots and shift dresses. The result of a complex-sounding dialogue with AI, which Nagami manipulates for its benefit and behaves as a foreign intelligence, these are the essence prints of the future. Nagami explained the backstage, “This is not like a simple chat thing, where you request an answer and receive a response. His signature Jacquard knit, made of six -colored thread, striking and unique, which looks like supernova across clothes.” I want people (through clothes) to feel that the world is felt, “he said.
Also the great tailoring was: The trousers had asymmetric flies or additional panels on the hips and had chrome hardware at the waist, while the structured jacket came with the huge lapels broken by the seam or who twisted themselves out of themselves, Origemi-like. The way a pair of black trousers flowed, it was also beautiful. According to the show notes, the 3D simulation software was made using CLO, Swing fabric was Nagami’s way of searching various images that are born with the movements of the wearer and continuously disappear. ” Unstable spherical bags, which sported suckers such as mollusk, had a collaboration with science-fi actor Runurunu; The model also placed crystal or pointed objects, which used to meet foreign artifacts, combining cosmic effects.
Overall, there was an understanding that Nagami’s potential potentially he is shown tonight. Although rich with details, the pieces taken by themselves were often less felt in the context of a runway, and could use more edgines and theater to better match the courageous ideas. As they say about aliens: I want to believe.
