Yesterday, Carven declared Mark Thomas as the new director of the design. While the time between Paris Fashion Week may seem unexpected, the brand has been a specific calendar spot since the Creative Director came as a creative director in 2023 on Saturday, and Thomas has all been his senior designer. Looking at his previous roles in Joseph and Lacoste, where he also worked as the head designer of Menswear with Trotter, and as a constructive director in Helmut Lang (2017-19)-and as he is well honored in an internal circle of the industry–Karen often congratulated him after the show, because he was recognized as a work couple.
The channel comes naturally and qualified, considering the design lead of Carven, Thomas naturally and comes with the disclosure of the collapse and lookbook, which gives a glimpse of both his smooth infection and shifting vision, with the departure of Bottega Veneta’s trolleter with the trollers in view of trollers in view of the trollers.
Paris -based, the British designer had six weeks to develop everything on his own. “This is the first twist of dial that we will do for spring/summer in September/October,” he told that Circulation From the fifth floor apartment in the building where Madame Carven began to designed in 1945. He said that there was a Godsand on the first floor attellier (head of the brand on the ground floor; Carven’s original company is the founder of ICCF Group, Iil).
The images were once shot in a wooden panel bedroom of the apartment (not shown: the breathtaking Eiffel Tower was seen out of the window). Thomas anchored the collection around two main silhouettes: In 1951 an archive jacket dating back is named asperanto and a fluid Baghe de ChambreOr dressing gown. East, well -built shoulders cross and fit on the waist, the sporter of Madame Carven for the bar jacket of Mahasya Dyer gives the impression of having a response, and Thomas used it as a base for a structured coat in the tweed pressed, and then shown the chic fabric on a visible slip in a side slit skirt.
Many looks continue the ideas that were becoming the new, dull language of the brand – the least tied blouse and tops open from the peeling back, only with more closely adjusted versions to the body. Skirts suggesting a crisp white shirt with a rapomound scarf and a roll-over collar were subtle statements, but talks with an understanding that women are often looking for something specific, but not necessarily dramatic. Thomas were leaving the signal that would be strong colored expressions-see the look in the All-Over Lapis Blue and a double-breadd coat in the penny pink-and timing seems to be right how neutrals dominated the earlier collection.
Carven’s pillow shoes and bags showed a fickle side which became popular, and Thomas proposed a classic pump with impure fur toe cap and fuzzy Babocha slippers that emphasize polish and comfortable stories within the lineup. Women will appreciate how everything appears straight with a slight twist.
While the brand founded by a woman sometimes understood the ideas of changing the ideas of femininity, lost her female lead, Thomas is adamant that her vision can represent many female attitudes. He said, “I will try and try to surround themselves with women as much as possible, who embodies brand-dosts, photographers, stylists,” she once said in soft-spoken and determination. “I want and I know that I need Carven’s characters around me.” In that case, it is probably no coincidence that his chapter starts with Esperanto, which shakes the head for the international language of the world; Female is also a language.
