Construction on home return Final seasonThe Holzwiler once again left the catwalk and kept Norway. There was a kind of crazy, a picture of the lookbook on a crazy, snow-clock mountain, referring to the Maria scalp Holzwiller on a call, which displayed “The Beautiful Crisp Light and all the beauty of our country”. There were no ski lifts in the sight, but the powder looked invited, and those who were born of sucches (the creative director jokingly said that the Norwegians come to the world “with the ski”) will be happy to know that the closing brand’s just comes from the brand -launched ski capsules; The Goggles and Helmets a “home team” results as a result of Trysil-based Sweet security,
The curved tracks that make the skier because they work under a mountain, inspire patterns on a sweater, which became almost a kind of camouflage, against white and brown landscape. (Ditto a landscape printed mesh.) The characteristic of geometric patterns inspired by the 70s swinging was the result of more bright patterns, yet the result of another cohesive pair, this time with ScalpA company founded by the family of the Creative Director – and yet another way that this collection lives close to the house – not to mention Kozi. The opening devet coat was seen as an envelope and soft as a cloud. (And by the way, kit will be sold for home-dancers who want to make their own versions of bright nits.)
The entry of Holzeweil in fashion was through the scarf; Cold Weather Toppers and Accessories (several in unclean fur this season) have been a main strength since 2014, when the ready-to-wier was launched. They look denim and gorp corps, such as Cargos that can withstand Nordic Chill and look cool in a club. The dresser was leather pants and reversible shear jackets of this season. In addition to several “sibling” this season, Holzewiller explained that he and the team are constantly trying to add “feminine elements to wholesale traders who feel authentic for the brand.”
The collection offered two darshans of a winter Wonderland. Previously, was felt as active gear and sports, there was a direct relationship with the game and outside, and the location. Furthermore, the team dreamed that “there is a version of a story how a Norwegian drape wears clothes using these elements of silk clothing, and things that are slightly unexpected in nature,” Holzevil explained. So there was a fluffy-cosmic maxi skirt shown with a teddy-like zip front, a sky-blue slip and coordinating ergill pullover, and Peace Day resistance, with a dramatic and flowing black evening dress. All these looks were completely cute, but in addition to appearing “unexpected” in nature, they were inconsistent. One wondered why the model is wearing so many clothes on the slope. This collection may be successful in its mission that “bring out a fashion vibe a little more”, but lost something in translation. The beauty of the country is more spectacular than any made story. Apart from this, the perception here was that a fairy tale default is from a woman.
Mother Nature feels very close in Nordix, where the creative director said, “You never know what is expected (in terms of weather).” An element of this play combines the need for everyday life and preparations. One wants to be dressed well for a single incident, but perhaps it should not be told on a mountain. This collection features ski-inspired and après ski.
