Yes, the show lasted 45 minutes late: but what are some extra minutes later after a hundred years? And true, many models took a wrong turn as they navigated a runway designed to repeat the space in Sthay’s Atalier, where during the 1960s and 1970s, during the night, by night, the founding family organized its social salon. But it is not difficult to leave a great party then?
Silvia Fedi opened this 100th anniversary show with flashbacks for its first house of fandi memory. This was when in his first show in 1966, Carl Learfeld asked Sylvia (then six years old) to follow the runway in a beautiful small horse riding organization. Today, at the end of the runway, the doors of the superspected replicas Fend’s Og Atellier were opened by his grandchildren, Tazio and Dardo, (both at the age of six) wearing replicas of that original dress.
His inclusion meant that the show spread to five generations. Broadly, a collection had some literal references to individuals or archives, Sylvia stated that it shapes “through her code” to transmit the “feeling and adrenaline” of the “house of the house”. However, the slut slit beans hanged with netting were a direct salute for Edel, the founding mother of the house: Sylvia said that her grandmother always framed her face and framed her with her chintan trap. On tonight’s runway, a satisfactory -rich description was that Chignon, when they were depicted, was worked in a horizontal Figure -8 Infinity symbol.
The co-ed shows are only symmetrically symmetrically symmetrically symmetrically as fashion presentations, as Women’swear will almost always steal the show. Here there were two mink coats in zigzag strips of wide horizontal nehigra stripes, embroidered adornments, tonal house browns, and even in nail art, there was a lot among the penis through the kids hair duties, and even nail art. Some menwear items, such as lemon yellow yellow-handed cabon coat which was a clear Silvia-Silvia piece, were standouts. But as normal, Menswear was overshraded.
Tonight, which felt perfect in a show leading a house by three generations of women, and a show where Silvia was getting a rare opportunity to stand behind Fandy’s Women’swear. To mark the fact that the fur, while the Central to Fandy, has always been part of his offer, he proposed a callerless coat and clothes that showed cute aspects (either in Mohair or sheering) that looked like devotion to these clothes, but actually stole. The blockbuster fur coat (with the exception of Zigzag Mink) was created in all shear. The recently appointed CEO of the house announced in an interview today that the Fandy Milan Store is opening a new “fur atallier” that would open in September, and the fani of this material was clear in techniques at the show tonight. The red spotted dress was a particularly Bravura example of the craft of this house.
Lace-aided drop waist gown (in 1966 reference to an individual Easter eggs for a coat that after Silvia), separates, house pecin strip dresses, and banana’s shoulder dresses in the 1920s, ’50s, ’70s and ’80s, in quuled leather, seemed to be buzzing. “I like the testimony of time,” Sylvia said. “I touched different decades, but I also try to avoid a specific one … I respect the fact that when something is beautiful, it is always beautiful.” The ready-to-one at the Sthay began only in 1977 when Carl Legfeld introduced it, and Sylvia successfully accepted that responsibility for several sessions after his death in 2019. Tonight tonight he once again introduced a collection, which served as a rich reflection of his 100 -year history of his family’s house, but also alone as a highly desirable seasonal offering. If the memory of the show affects Tazio and Dardo as deeply as the counterpart of 1966 did his grandmother, then the creative dynasty of the Fundi clan should have a lot of decades yet.
