Filmmaker Danny Boyle’s upcoming blockbuster sequel 28 years later Apple embraces a wide range of modern film production techniques, including shooting some sequences using the iPhone smartphone.
As Petpixel Last September reportedBoyle made headlines when pictures of back and forth showed that he and his crew were using the iPhone to shoot. 28 years laterNew one Deep-grazing interview IgnToo reported by DPRIVThese reports confirm and provide an attractive look in the film production process and how different camera techniques enable new and dynamic scenes.
Boyle tells Ign Despite not being shot on the suit of large -forming cameras, their upcoming zombie apocalypse will be presented in a very comprehensive 2.76: 1 aspect ratio.
“We thought we would benefit from the restlessness that the first firm created about speed and velocity, the way the infected, was painted (aspect) of his intestine (aspect). If you are on a widescreen format, they can be anywhere … You have to keep scanning, look around for them.”
This original film is a dramatic departure from 2002 28 days laterWhich was shot in 4: 3 on minidav camcorders to mimic the look of footage captured by people who experience an apocalypse in the early 2000s.
Boyle is taking a similar approach using a modern iPhone model, although footage is a lighter year ahead of modern smartphones where consumers Minidv Camcorders were in 2002.
Beyond using an iPhone for shooting some scenes, Boyle and his cinematographer and frequent colleagues, Anthony Dod Mental, surpassed it and manufactured some wide rigs, including a single one with 20 iPhones on the side. It helps to create a sense of action and immersion, with actors, special sensors, drones, and more associated with more associated with more.
The crew used various iPhone rigs during filming, with one with eight cameras, with 10, and the other with 20 described above.
“One for eight cameras, which can be done very easily by a person, for a 10 cameras, and one for 20,” Boyle explains the iPhone rigs. “I never say this, but there is an incredible shot in the second half (of the film), where we use the 20-rig camera, and when you see it you will know … it’s quite graphic, but it is a wonderful shot that uses that technique, and in a shocking way you have kicks in a new world, rather you have seen it before.”
Boyle says that the 20-phone setup helped him to make a “poor man’s tablet”.
Shooting of several cameras at a time also means that, in editing, it is easy to choose a specific perspective that is slightly different from the rest. It can also be used for timing and switching between cameras during manic action.
“As it is a horror film, we use it to emphasize their impact for violent scenes,” Boyle says.
28 years later One of the largest zombie films of the 21st century is not only an exciting and highly anticipated sequel, but also a tour day force in camera and film production technology. More one of this exciting technique is painted in one Ignore-exclusive back-the-sin video,
28 years later Land in theaters on 20 June.

Image Credit: Soni Pictures
