Thursday, February 13, 2025
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Why should you experiment with different styles of photography


Many of us have a “go-to” thing for the picture. Often, this subject or style is why we joined photography in the first place. For me, this is a illustration. I like the dynamic feeling of capturing a moment in the time of a person’s life – whether it is in a major event like their marriage, or a unique moment in the studio with creative illustration. I also like how people are as subject, and how can you express almost any mood or feeling in a person’s face.

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Nikon z 9 + nikkor z 50mm f/1.8 s @ 50 mm, ISO 64, 1/200, f/8.0

As much as I like to photograph people, however, it can be very fun to experiment with a picture of a variety of subjects. I have also found that doing so has helped me develop as a photographer.

When trying new topics, one thing that reminds me that applies to various concepts (technical ideas, composition, light, mood, etc.) All Forms of photography. Because of this, I feel both useful and fun to experiment with different types of photography. And often, I will get some ideas or inspiration that the picture takes back to the world.

In this article, I will talk about the photography styles I enjoy and make me a better photographer in general. I will also compare how they differ from the illustration and why practice them improves my photography.

Inspiration for this article is straight – I am just back from California, help in running photography life Death Valley WorkshopMy wife and I spent some time even before the workshop in search of California. I decided to challenge the images on this trip to try and capture images on a variety of photography styles. All pictures in this article (apart from one above) are from this journey. Hopefully, you will get some inspiration here for your journey in photography.

landscape

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Mamia 645 1000s, 80 mm, Portra 400

Spencer and I were recently talking about the difference between landscape and photography of people. With people, you often have more control over multiple variables: light, appointment and expression of your subject, and so on. However, there is a variable where landscape photography is really more flexible: your choice theme.

Usually in portrait photography, your subject is chosen in advance, especially if you are hired by a customer. But with the landscape, if your initial subject does not do the right thing, you can just choose a new subject! This is a free spirit, but continuously needs to be on hunting for good subjects, which is good practice.

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Nikon z 9 + nikkor z 24-70mm f/4 s @ 38mm, ISO 320, 1/100, f/9.0

Although you cannot transfer the sun to landscape photography, you can control the light with the direction you face and the time you shown. For example, I took the following two images within a day of each other – before sunrise and second after sunset. The mood of these pictures is different. If I photographed on mid-day instead, then it would be another type of light so far, and will be more different than these.

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Nikon z 9 + nikkor z 24-70mm f/4 s @ 44mm, ISO 64, 16/10, f/8.0
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Nikon z 9 + nikkor z 24-70mm f/4 s @ 46mm, iso 64, 6/10, f/8.0

Wildlife

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Nikon z 9 + nikkor z 70-200mm f/2.8 vr s @ 200 mm, ISO 64, 1/400, f/2.8

It was not a wildlife-centric journey, so I did not have my longest lens. However, I found some funny animals to be photographed. In some ways, wildlife photography is similar to painting, only with low control and more unpredictability on your subject (unless you take a picture of children, which can be unexpected as a picture of wildlife).

I think there is a good practice of wildlife photography due to obstacles – I cannot ask the animal to turn to light, or take some steps on the left. This excess emphasizes what I can control, and it also requires patience. In addition, animal behavior is important.

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Nikon z 9 + nikkor z 70-200mm f/2.8 vr s @ 101 mm, ISO 100, 1/250, f/2.8
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Nikon z 9 + nikkor z 70-200mm f/2.8 vr s @ 200 mm, ISO 64, 1/500, f/2.8

Abstract

The funny thing about abstract and macro photography is that all emphasis is on details. How does light and texture align to express a feeling? You are not forced by the literal subject in front of you.

In addition, you have to be more careful than normal with composition, as distracted around the edges can attract attention to the objective of the image. Abstracts rarely have a clear start and stop point, so find out how to frame it can be a difference between an image that is successful or not.

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Nikon z 9 + nikkor z 24-70mm f/4 s @ 44mm, ISO 110, 1/250, f/13.0

I also like that abstract and macro photography trains you to see for details. Even in a scene, which has no traditional themes or grand landscapes, there may still be good photos.

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Nikon z 9 + nikkor z 24-70mm f/4 s @ 47mm, ISO 64, 1/25, f/20.0
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Nikon z 9 + nikkor z 70-200mm f/2.8 vr s @ 200 mm, ISO 360, 1/250, f/8.0

Often, when I think of abstract, I think of close-up, zoom-these types of photos. However, in the correct view, an abstract above can cover a large amount of space, where an entire granite shelf with trees is an abstract image.

I hope that ideas in this article encourage you to go out and experiment with different types of photography. I believe that you will see the real growth by about the obstacles and flexibility of different styles and flexibility. Tell me whether there are other styles of photography with which you enjoy using!



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