The things that artists have chosen to gather and live artists have always fascinated me. So a panel discussion about the last decline in the discussion Jude furniture, A New book Discussing the minimum functional art practice of the minimalist, some his daughter Rainer said that he was really stuck with me: his father had a thing for Swedish antiques. A pine Swedish serving table sat on the second floor of its famous floor Spring Street Home in New York City; Early 20th century pieces filled the cob house at the Judge Foundation in the Judge Foundation in Texas. And if you look at practical, well-organized elegance that is characterized by furniture from this time and place, then it is understandable that the judge, an artist who gives importance to the pure, the pure, the para-down essence of the things, liked them very much. .
Jude, of course, was ahead of the curve. But recently Swedish design – especially from the first half of the 20th century – has been on our radar, big. Whether in homes, where the rustic wooden pieces by Axal Anaar Hazor or Saval have yet to be accepted Joseph Frank Stunners Hot Design Trophy, or on the auction block, where such goods go for six figures, designs from this period quietly Is back into style.
The AD100 interior designer Giancarlo Vale says, “There is a simplicity and directness for the ideas of this period that resonates with us,” Their own connectivity country houseFor example), and now sells them in Casa Valle, the new gallery space that she runs with his wife, Jane Caltoner de Valle. Here, the 1930 Pine Uto Dining Chair of Axle Anaar Hazorath sits with a 1950s Joseph Frank Lamp and a pair of Ever Johnson Cast-Iron Garden Kalas from 1919. They are from the Kalash Swedish Grace Movement, which is a slightly more romantic answer to the country for contemporary art deco. Offering a more humanistic approach to mechanized style across Europe. Internal designer and architect Li Mindel After the First World War, a socio-political response to a world in turmoil calls. “Designs of this period, which mix streamlined forms with neo -classical motifs, are on 31 January through Mindle. Galeerie56 In New York, a collaboration with Swedish Purveer Jackson design. Improved pieces like Anna Petrus’ monumental cast-ayon and granite tables, originally shown in the 1927 survey of Mate, “Swedish contemporary decorative art,” and Gunar Aspland’s Army Lounge Curse, Paris World Fair Show, 1925’s Paris World Fair Show, Siddha, Mindle In words of, that. “Simple materials, celebration of democratic principles, and elegant use of materials are universal.”
The pieces of the choice of Gunnar Aspland and Axel Anaar Hazorath represented Sweden on the global stage, gradually developing into a style, who is developing in a style, Sophia Sionstein, senior expert Sophia Sionstein, says “balanced with a human-focused touch Modernist elegance. ” At the center of the movement was Joseph Frank and Astrid Ericsson, the founder of the Stockhom Emporium Swenskt Ten, who celebrated his centenary last year Retrospective exhibition In liljevalchs konsthall. In the auction, Sayn-Wittgenstein says, “We have seen extraordinary results in recent years for Sweden’s most famous figures.” A rare 1941 Joseph Frank Cabinet, covered in monkeys images, went to $ 347,600, while a märta mÃ¥s-fjetterström street recently reached $ 206,159. “These results carry forward global praise for Swedish craftsmanship and design,” she notes.
The idea has long been at the origin of the New York Gallery hoster Baroz program, which has specialized in dealing with vintage and antique Scandinavian pieces since opening in 1998. When he opened for the first time, Danish design was coming into circulation, with the interest of the collector around the finer, Finn worked by Finn, was being worked by finan. Juhal, Arne Jacobsen, and Hans Vegner. “Over time, as the market intensified to work by those prestigious names, we saw the growing interest from collectors in our Swedish material,” Kim Hostler says. “Sweden, by contrast, offered small cabinetmakers in the early 20th century, designing stylish, comfortable furniture in very limited production, often as commission for specific customers. This type of pieces have a permanent appeal and beautifully mixed with a varied range of both contemporary and vintage design. ,