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HomePhotographyWe review the insane Wiltrox EPIC 75mm T2.0 1.33x Anamorphic Lens

We review the insane Wiltrox EPIC 75mm T2.0 1.33x Anamorphic Lens


The Viltrox EPIC 75mm T2.0 1.33x Anamorphic Lens is part of a trio of Viltrox cine lenses that includes the 35mm and 50mm. In terms of build quality, image quality and performance, does this lens live up to its “epic” name? Let’s find out.

In addition to this written review, I have attached my YouTube video as it contains a lot of 75mm footage. I was able to use the lens for several shoots and tested it with two of my colleagues who are incredible videographers, Dan Nguyen Photography out of boston, and Will Mead From Pineapple Shirt Productions based in New York. In this print review, I have added some still images taken with Wiltrox EPIC 75mmBut more on that later.

When I was tasked with reviewing the Viltrox 75mm EPIC T2.0 Anamorphic Lens, I honestly didn’t know what to expect. In fact, this lens is the first anamorphic lens I have ever used. However, when a large box arrived containing a heavy-duty hard shell case, I knew I had got something not only high-end, but also very special.

To be clear, I’m first and foremost a portrait photographer, so right away I wondered what kind of still images the Viltrox 75mm would produce. Because of this, I made sure to capture some still photos in addition to video, which, of course, is exactly what this lens is designed for.

Build quality and handling

The build quality of the Viltrox EPIC 75mm is unlike any product I have used before. The entire lens is metal, and it is quite heavy. As soon as you take it out of the case, it becomes clear that it has been designed for the highest demands of professionals and is built to beat. It’s incredibly well engineered, and although it can be used with a focus-pulling system, I was able to manage it handheld on the Sony a7R V. I would like to say it was easy, but it was actually a challenge, especially when I created a smoky cinematic scene in my studio. Although it’s a little difficult to manually focus and expose with a hand-held Viltrox, it was also a lot of fun and forced me to slow down and take my time.

The task of using this lens is made a little more difficult because the Viltrox 75mm has a 1.33x horizontal squeeze, meaning that when the lens is mounted on a standard mirrorless camera like the A7RV, the image is crushed horizontally. It will appear to have happened. Footage can be recorded in its proper 2.35 D-squeeze aspect ratio via an external monitor (the best way to use such a lens), but since I was hand-holding it for most of my shooting , so I didn’t want to do it. Opted to add extra weight to the monitor and deal with a distorted image on your LCD screen. However, my co-worker Will used a 75mm with a monitor and a tripod, making the whole affair seamless. Once the footage or images are imported, they should be de-squeezed. It’s a fairly simple matter to do, and once done, the footage stretches to its correct aspect ratio and regains its full cinematic glory. And it is glorious.

image quality

The images and video produced by the Viltrox 75mm EPIC lens are exceptional, and it certainly lives up to its name. As I mentioned, I was really interested in making cinematic images, and the 75mm did not disappoint. The first image I captured was the self-portrait above, and in this image, I made sure to aim the Fresnel light directly at the lens to take advantage of its unique lens flare. Next, I arranged a shoot with Broadway actor Justin and created a smoky set for the photos. Still images have a 3-dimensional quality as well as a very lifelike and natural look, which I find different from standard mirrorless lenses. One feature of the anamorphic lens that I really enjoyed for both stills and video is the flaring, which is not circular but instead features a horizontal bar across the entire frame. The Bokeh is also subtle, and the transition from subject to background looks very natural. As with the build quality of the lens, I found little to criticize about the 75mm EPIC lens, as did my colleagues who used it with me in my studio.

Thoughts from some professionals

As I mentioned, I was able to test the Viltrox 75mm with two of my coworkers who were world-class videographers, so I wanted to include their thoughts as well. videographer Dan Nguyen It’s incredibly well presented, so I’m going to quote it here.

As a professional photographer who spends a lot of time experimenting with gear, I couldn’t wait to get my hands on the Viltrox 75mm T2.0 1.33x Anamorphic Lens – and wow, it did not disappoint.

First of all, this lens is literally a beast. At 2,040 grams (4.5 pounds), it’s almost ridiculously heavy compared to something like the Canon RF 85mm f/1.2, which comes in at a very manageable 479 grams (just over 1 pound). Holding the Viltrox for extended shooting? Let’s say you want a sturdy tripod or some serious arm strength. That said, the weight comes with a purpose – this lens is built like a tank from top to bottom. Every inch of it reflects quality and durability, and you can feel the craftsmanship in your hands.

The quality is really next level. The Bokeh is amazingly beautiful, soft and natural, with those distinctive oval Bokeh balls that anamorphic lenses are known for. It’s much faster on T2.0 but still maintains this beautiful cinematic softness in the background. The blue flares are another highlight – they give every frame a gorgeous, cinematic aesthetic that makes your work look like it belongs on the big screen.

Overall, I love this lens. It’s not right for every situation – it’s heavy, and it has the initial adjustment of anamorphic workflow – but if you’re looking for a lens that delivers unmatched image quality with a cinematic edge, the Viltrox 75mm T 2.0 Absolutely worth the investment.

My other colleague Will had similar thoughts regarding image and build quality and said that the 75mm focal length and minimum focus distance was a bit far for him. I agree with them, as the 50mm or 35mm would be a better all-around lens, but of course, buying the complete set is really the best approach if your budget allows.

conclusion

Viltrox continues to raise the bar with their lenses, and with the Epic 75mm T2.0 Anamorphic Lens they’ve stepped up to the challenge. In terms of quality it’s much better, and at a price of $3,199, it’s certainly not cheap, but it represents a value compared to many anamorphic lenses that can easily cost five figures. As I mentioned, 75mm is one third of one EPIC Trio of PrimesWhich can be purchased together as a set or individually, 35mm and 50mm are the other focal lengths in the current EPIC line. Finally, regarding its price, I would add that it was the most interesting and extremely fun lens I have ever used, and the Viltrox 75mm was great in making a variety of very nice portraits as well as videos. I felt incredibly happy.

what i like

  • incredible image quality
  • “Tank-like” build quality
  • Beautiful Bokeh and Flare

what i didn’t like

Specifications

  • focal length: 75mm
  • Maximum Aperture: t2
  • Lens Mount: sony e
  • Lens Format Coverage: full frame
  • Filter Thread: No
  • image stabilization: No
  • electronic communication: No
  • Horizontal Squeeze (Anamorphic): 1.33x
  • Image Circle: Not specified by manufacturer
  • Viewing Angle (Full Frame):
    • horizontal: 35.3°
    • Diagonal: 39.4°
  • Focus Scale: Royal
  • Optical Design: 18 elements in 13 groups
  • Diaphragm Blade: 8
  • Gear Standard: 0.8 MOD/32 PITCH
  • Gear Rotation:
  • Diameter(Front): 3.7″/95mm
  • weight: 2,040 grams

Get the Viltrox 75mm EPIC Anamorphic Lens Here.





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