The French Election-Rock Band named “Interface” after the 1977 album by Holdon, the Menswear Collection renewed some classic undercover themes. Walking around the showroom was a model wearing a technical jacket, with a very duck punk prefacing cover of that album, printed on its front. And a long-sleeved T-shirt behind a pair of cowstlets was printed an image of the so-called “German Beatles”.
It was fun through the rail of clothes that were in some ways in the cover versions playing the clothes of June Takahashi, which he was referring to. A superlite double face had a square of tradition and sabotage that row the camel duffle coat into the check, or a punkli triple zipper tarton blossom worn with a punk. From this look, gamblers and baseball caps placed on a table were positively baroque. Lurex Cardigan was mixed with the sock-upper sneakers, co-built with plains sitting on heavy molded soles.
Domestic, comfortable items like brushed cotton pajamas were printed with a young girl and with her teddy bear. A soft cotton area jacket in olive was supported with a dark brown knit segment. A camel cotton informal suit with micro-dogs was printed. The “confused behavior” was scripted behind a black denim park.
Touring a showroom instead of watching a runway always feels tentmount to experience a rehearsal rather than a performance. But this undercover experience still broadcast an attraction to the esoter, which was reflected with a disagreement with omnipresent. You can imagine that a band was wrapped happily, while some in the Madhya Pradesh recorded a concept album in Hidway.
