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Top Shots: 20 favorite landscape images of our editor from July photo challenge


Photo challenge of the editors of July

For us July editor photo challengeWe set your locations on “Landscape Photography” and have asked you to share your most amazing landscape images.

As usual, you distributed! DPREVIEW photographers covered the world to catch stunning scenes with land, sky and water, including impressive stitched panorama. We were overwhelmed by many incredible photos – many more we can present here. Our top pics are presented in random order, showing a diverse range of vision and talent.

Thanks to everyone who participated in this photo challenge. If you want to participate in some other photo challenges, then visit us Challenges page To see Is currently open Or Upcoming challenges Or to vote in one Recently closed challenge,

Elli de Cios Sunrise

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Photographer: Diven photographer

Photographer’s statement: One of my favorite shots I took the first morning of my first visit to Dolomites. There was no time for the scout (and with the declared weather being marginal), I decided to grow at this place which has been in my bucket list for a long time! After a solitary peaceful increase in pre-don glow, I reach the place and where to set before sunrise. I got this place (loud) below the road (a forest of photographers and tripods), which did a great job! The subtle leading line of orange grass and patterns in the grass in the foreground lead the eye to the middle and background, where magic occurs. The very well -defined sunbeam created by the shadow of the sassolungo, faint backlit gauze in the valley, shoots this dramatic and hypnotic image, shooting the landscape with alpine huts. The foreground in the shadow pulled the viewer’s eye into the shot. One of my favorite shots to this day!

equipment: Sony A7R III ,Tamon 28-200 mm F2.8-5.6 DI III RXD

God’s hand

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Photographer: Julindelval

Photographer’s statement: I captured this picture in the heart of Cirque du Fer à Cheval in French Alps. My goal was to find a unique, almost real light that would cross the landscape. That day, after the days of observation and perseverance, the rays of the clouds and the sun align to create an incredible atmosphere.

equipment: Sony A7R II , Tamon 35-150 mm F2-2.8 DI III VXD

Grand Canyon, South Rim Desert View

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Photographer: Platinamcharya

Photographer’s statement: This picture was taken just before morning, so the light was soft (no shade), but still directed. I am a platinum printer, and this image is perfect for that printing medium – white and blacks are never intense like other printing methods, so all intermediate values are emphasized in the tonal range of the image.

equipment: Tachihara 8X10 Scene Camera + 300mm Nikkor F9 (View Camera Lens)

Kilauya

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Photographer: Ficaruchi

Photographer’s statement: Kilaua explosion, episode #26, June 2025. During the episode 26 in June 2025, a continuous lava fountain fountains from Kilaua’s North Vent reached over 1,000 feet and produced significant volcanic gas and tefra.

equipment: Hasselblad x2D 100c , Hasselblad XCD 90 mm F2.5 v

Whispering

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Photographer: Brown

Photographer’s statement: Hidden Deep in Wurunuran National Park, this moss-covert bridge emerges like a secret invitation. The moment I arrived, the rainforest stopped the fate, the streams mumbled into the riddles, and the air became thick with an unseen appearance. It felt more like crossing a stream and entering a border between the world. I did not move forward. I heard I waited. In this untouched pocket of remote north Queensland, the landscape does not shout – it whispers. And only they will still hear enough.

equipment: Sony A7R II , Sony 16 mm F2.8 Fish

Sunset in Sand Harbor

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Photographer: Rishabhonat

Photographer’s statement: Step on the sand harbor of Memorial Day evening is like entering a living water color painting. As soon as the sun is less towards Sierra Nevada horizon, its rays dance beyond the famous blue water of Taho. The sky turns into a fusion of hot gold, pink, purse and melted orange.

equipment: Sony A7 C II , Soni Fe 24-50 mm F2.8 grams

The Empire of the Midnight Sun

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Photographer: Basilg

Photographer’s statement: Great view of midnight sun in Senja, Northern Norway. This region is one of my favorite for landscape photography, directly from the sea with its mountains and with a bright midnight sun. Two attempts were made to catch this picture, as I had imagined it, because I was caught in a storm in the first attempt.

equipment: Nikon Z7 , Nikon nikkor z 14-24mm f2.8 s

2023 New Mexico White Sands Yuka

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Photographer: Gerifax

Photographer’s statement: White Sands was taken late during the day in our way from the National Monument. I really stopped to take a different photo. Then looked at this loan Soptri Yukka on top of a large tibba. The grain of the “sand” and the waves at the top are classic white sand.

equipment: Lika Q2 monochrome

No pink glasses need

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Photographer: Supernatat

Photographer’s statement: I took this picture during a landscape photo workshop in beautiful Italian Tuscany. We woke up very quickly to be in the right place – we wanted some fog in the valleys and a colorful sky during sunset. The shot was taken just before sunset. The sky was slightly dark using the internal classified ND filter of OM-1 II.

equipment: Om System Om -1 Mark II , Olympus M. Zuico Digital Ed 12-100 mm F4.0 Pro is

Croda da lago

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Photographer: Lamez

Photographer’s statement: The Croda Day Lago Mountains, as Dolomites, have been seen from Cinque Torri near the city of Cortina D’Mepazo in Italy. My two daughters and I was on a photo tour celebrating my 83rd birthday.

equipment: Nikon d850 , Sigma 24-70 mm F2.8 DG DN Art

Purple sunrise

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Photographer: Nemindel

Photographer’s statement: Mirror Lake, New Zealand, South Island. I was waiting for sunrise and did not know what expected. I did not know that these colors would pop pop for a few minutes of full magic.

equipment, Sony A7RV , Tamon 35-150 mm F2-2.8 DI III VXD

St. John’s Light

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Photographer: Aesposus

Photographer’s statement: The picture was taken from the peak of the Chloe Head, looking at St. John’s in the English Lake District. Before the epidemic, I used to go to the lake district every two weeks to walk a long (10 hours+), some of my best images were taken late during the day during ‘Golden Hour’.

equipment:Canon EOS 80D , Sigma 17-70 mm F2.8-4 DC Macro OS HSM | C

Oulu, 2025

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Photographer: Black_and_white_fr

Photographer’s statement: Oulu, Swedish: Uleborg is a city in Finland and North is the regional capital of Osteobothania. It is situated on the north -west coast of the country at the mouth of the Oulu River. The OLU has a population of around 216,000, while the sub-sector has a population of about 264,000. It is the 5th most populous municipality in Finland, and the fourth is the fourth most populous urban area in the country. Oullu is also the most populous city in Northern Finland. I did not have bad weather that you would expect in winter: snowfall, fog and other storms. Even the temperature did not fall below -6 or -7 ° C. Nevertheless, I was able to take some pictures, and overall, my journey to Finland and Estonia was quite productive.

equipment: Panasonic Lumix DC-G90 ,Olympus M. Zuich Digital 25 mm F1.8

Falling rays

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Photographer: Serbale

Photographer’s statement: Foordland is one of the most dramatic and beautiful parts of New Zealand. Carving by glaciers over 100,000 years, the landscape is where the waterfalls cascade in dark black forces at a distance of hundreds of meters; Where for the ancient rainforest mountains and where flicker lakes and granite peaks appear, as they did a thousand years ago. Foordland National Park is a World Heritage Site and includes Milford, Dusky and suspected sounds.

equipment: Nikon Z9 , Nikon nikkor z 24-200mm f4-6.3 vr

Glacier embrace

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Photographer: Fabian from Swazi land

Photographer’s statement: The best time to live in nature is in the evening and morning when everyone goes away and everyone becomes silent. And one of the best times to take photos occurs 30 minutes after the sunset, when it becomes dark, but there is still a sign of light on the horizon.

equipment: Sony Alpha A99 + Minolta AF 28-80 mm f3.5-5.6d

Himalayan fog

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Photographer: Mazurekfoto

Photographer’s statement: It is an image taken on a suspension bridge over the Dudh Koshi river near the small settlement of Funke Tenga in the Everest region of Nepal.

equipment: Lika M10 monochrome , Leica Summilux-m 24mm F1.4 Asph

Mount McKinley 2019

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Photographer: Thief

Photographer’s statement: Denali National Park in Alaska, the highest peak in North America, is the home of Mount McCinley, standing at about 20,000 feet. Most of the days, the cloud cover is so low that the mountain is not visible. But not the morning of this June! Lucky for me and my family to get such a great view about this natural surprise.

equipment: Sony A6400 , Sony e 18-135 mm f3.5-5.6 OSS

deep in the forest

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Photographer: Mess

Photographer’s statement: Deep in Redwood One. It is always a great place to spend a quiet time with cameras and your thoughts. I like to think of it as one of the miracles of the world.

equipment: Fujifilm X-T5 , Fujifilm xf 16-55 mm f2.8 r lm wr

Night trillium lake

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Photographer: Mike earrcian

Photographer’s statement: This is a new experiment for me. This is a 30 -minute exposure in an attempt to catch Star Trails, which worked very well. I hope you like it. The trillium lake is in Oregon, which is south of Mount Hood, which is seen in the background.

equipment: Panasonic Lumics DC-S1 , Sigma 24 mm F2DG DN | C

A epic flight

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Photographer: As9107

Photographer’s statement: I like Panorama very much! But this is quite a challenge in the turbulent air from a paraglider of a shaking. Here, a beautiful summer day, I was flying with my friend Federico in the Gran Saaso series in Central Italy. High in front of the lines, the scene was so great that I decided to fly a little distance away from my flying friend and tried to take many pictures, later to be stitched together, in the middle. Right to left, clouds have the main summit: Corno Grande 2912m, Pizo Intermesoli 2635m and Monte Korvo 2623m.

equipment: Fujifilm X-E2 , Fujifilm xf 18-55 mm f2.8-4 r lm OIS



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