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Some costumes from famous Saturday night Live The sketches themselves are recognized as a joke. Costumeing is often so essential for a character that it seems impossible to imagine a sketch without it. Tom Broker has been a costume designer in the show for 30 years. Work on their body Saturday night Live He has made an industry legend and an important part of making Rider As it is. For the latest episode of The Hu What Wear PodcastThe broker shares how he got his debut, how they determine which dress will go into collection, and much more.
For parts of the conversation, scroll down.
There are many types of things that you can do within the fashion industry, and I am eager about how you are compressed on the dress design.
There was a part of my time when I was considering doctors and such. I was also considering the performance. (I) Aaya New york Studied as a dancer and in Juliad and did some music theater things on the road. I had a part that also knew that it was temporary. It was not really an Avenue that I was really going to chase.
I have worked in fashion, but finally, I felt fashion was very variable. You are relying on people’s craze and people’s thoughts. One minute, you are fashionable – one minute, you are not.
This idea, eventually, to go into costumes … It was really a way to add whatever was really loved in a job, which was performance, actor, history, language. … language is very important in understanding a script and how to break a lesson- Psychology, Anthropology, Art History, Color, Clothes.
Can you tell me about some of your early experiences Saturday night Live Working in the dress department?
I went to Saturday night Live Forever, but I was not really bigger Saturday night Live. I landed here as a production assistant. … When Lorne (Michaels) came back in 85, there were new people who came inside. In 1986 there was a new costume designer, and she hired a friend of mine Melina. I was living in California at the time, and Melina said, “Get us in the show with us.” Finally, I was coming back to New York, working in the show, and it was in 1986. It actually felt like the early part of a house. Cut after 1000 years, here I am still at this amazing house.
There is a real collection. How do you know something makes it in the official collection?
The archial process started 20 years ago. … The show started, and it was a throwway culture, so we still believed that the show is going to go any day, and we will not be here, and still there is this temporaryness for everything. But we began to realize that it was probably not going to be temporary. (There are) the early things that we knew … were actually archives, such as coronhead pajamas and conhed cap.
What happens when each cast member now leaves that their costumes are boxing, and for most parts, we guess what we think about what their archival pieces can be. Sometimes, this is clear. Their “(weekend) updated” characters. If a character is more than twice, it usually means that it should have an arithmetic aspect. It is put in the photo, put into a box. The box has a number, and then it goes into a computer database. All of this is stored in a huge warehouse in Brooklyn.
This interview has been edited and condensed for clarity.
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