This season conversation in Rachel Comi is a rawle ticket with print words Good TimesHe also blew it up to superside ratio, so large that the effect was almost abstract. None of these pieces made a look book, but Bhavna suffers these resort clothes. Comi has made itself a cupboard staple for the creative classes of Los Angeles from New York, which not by making daily staples, but by adding a dash of offbeat and cynical for them.
If these photos take into account the Little AD in the gray garden, it is not completely casual. He was photographed at Seramics Studio of Gartrud Vendorbult Whitney in Rostrin, New York. (Whiteny was the founder of the Whitney Museum of American Art.) “It is not touched,” Comi performed a miracle with the studio’s mosaic stone floor, wall wall and empty kitchen cupboard. “In this way it is like a gray garden.”
Naturally, there is an air of art-loving icoclasts for fabrics. Clashing intarsia nits of the opening look and Country-Club-Ish see the 1980s Kashidakari Carderoy shirt; A brush mohair man worn with a man’s coat and bedroom slippers; Or printed and pintcied blouses were stuck in a long narrow skirt with Perma crease, which was completed with a rhinestone brooch pinned to the waistband.
Comi’s signature – or one of them, at least – the way she marries in detail of nutritious innovation with the rich form. The examples of this season include a quilt-made barn jacket and car coat with a deep-deleted impure-furious in the wrist. A shear jacket with gold polka dots, such as someone dubbed it with a paintbrush, was a surprising sales last year; The update of this season is a curly hair shear with rib-night collar and sleeves.
