Films are an early part of the American psyche. Historically, their influence has probably been the strongest when the time is rough in some way; There are innumerable stories of people who find the reason for escaping for a nickelism and/or a dime in a theater. Fourth edition of Vogue world Will take Hollywood in October; Norma Kamali arrived there early with her rich, playful, even slightly collapse resort collection.
Kamali asked the question of a rhetoric on our walk-throat: “What is the point where American fashion came in itself? For me, it is actually classic films of the ’20s,’ 30s, ’40s, ’50s. I was wondering how these films are really celebrated as our fashion history. Circulation There were fashion magazines, but they were very elite. My mother and her contemporary films will go to films to watch hairstyles and styles to wear – how they will learn about fashion, makeup, everything. And so I was thinking, I do not want to retro vintage, but the feeling of classic American fashion is alive and well on every red carpet; Its feeling has never gone away, it is part of who we are. ,
Kamali inherited a film attraction, which goes back to her mother, black and white era. This collection has a section dedicated to both these colors. Winter Wonderland with designer whites tells the story in a way, the impure fur with sequins is combined with freshly fallen snow diamonds, and a whisper of My West-Voltofusiness for a series of complicated pattern sequins on Aries. The group looks like thin columns dresses and lounger briefs and panties, but which are actually swimsuits. Why was Hollywood glamor not brought a little bit in the pool? The film meets Punk in the pieces of Noor Jersey, with hundreds of hand -applied silver protection pins. Most of the collection, however, borrows its palette of green and garnet-rade deep from a jewelry box. As Kamali said: “We can appreciate black and white in moments, but we see a lot. And now we are going to see more deep with everything else (eg AI).” In the hands of this designer, a genes of a gene Harlow-style become a technicler dream.
Graphic color-block second-screen active pieces added blade Runner , kill Bill The aspect of the offering, but the show’s stars are long clothes, especially Kamali’s all-over sequins to the “Marmed dress” which was once in favor of Lauren Bekal and Merlin Munro. The bias-cut columns with slit-opin bat-wing sleeves also offer Hollywood glamor (as well as a riot with a red marcell-wave). “This is my tribute to classic films,” Kamali said, “The attitude of this elegance which is classic and timeless.”
