“Whatever I want to say, you will feel when you see clothes.”
Dongui Wei knows how to give a good soundbite. But even the puncture compared to his memorable quips is his grand, without thinking -all are attractive clothes. While the world is moving in circles between dress and comfort, elegance and cozine, V has confidently designed a design ornacular in a contemporary sense: animal prints, complex beadings, exotic clothes, golden accents, and a magnificent wings trim or two. This evening he freed these runs from the top of a skyscraper, which is a very great setting to see Bund.
As exaggerated and layered as his collection, V insisted that he avoids any kind of story. “I don’t know!” Does their normal query answer, “What did you have this season?” Instead, he will talk about the development of new content and importing its clothes – this season includes low but effective beadings and Indian silks, or breaks a major silhouette. There was a case that had a ballooning skirt, with an Askew Drape, a jacques Wei Signature, a boxy, with a boxy, was still added with a soft chopped jacket.
Wei said that she is thinking of mature women, women who look at Milan, Paris and Shanghai, who wear clothes well and confidently, and whose elegance definition is alive instead of aspiration. This season, femininity in the collection was in front and center. In search of Wei’s sensitivity, it felt fresh that he reached it to an inscribed price. Had there been a misunderstanding, it would have been a silver nipple paste worn under a sheer winged frock, but they could not be all winners.
Which, however, were true knockouts. They included bouncy jersey fabrics, revealing kquetish embroidered panels at the back, sheer skirts with jhorabhri binding latus hems, and lace frocks and skirts and skirts and skirts and skirts and tiger print bodiesuts or bottom of swish silk. They cut off the sleeves of their sewn jackets with sharp and round and a thin shoulder – a welcome turn in a season of the power shoulder of the 80s.
Wei is a contemporary art collector (do you not love it when you like it?) And he often invites an artist to cooperate with him for a section of his collection. This time there were Irish artist TED Pim around it, currently hosting his first exhibition in Shanghai, who had provided artwork that Wei converted into a clinging dress and tops. “They are very erotic, they have everything I like,” said Wei of Pim’s pictures. Anyone can say only one of this collection, a considered pitch in support of long-last art of section. After the show offered an editor-curator, “It is like a picture of a Shanghaini woman, but she dare to be sexy.” Among all, the city’s romantic skyline is a frightening offer as its background with the middle-sun-sun-sun.
