Beyer revealed that the team built two Juke couples: a brightweight, in Louisiana, in Plackwimine Parish, was used for external and internal shots, showing overgrowd leaves and nearby water (“which was full of crocodiles, so already had some old and prehisian feelings,” she says); And another – once a rhirs, is located on a pre -golf course in St. Bernard Parish – placed on stage for other shots.
Beach and construction coordinator Eric Van Hareen imagined an terrorist, abandoned feeling to add a Juke, so it is deliberately dilapidated, with carpenter and sightseeing artists, to replace the surrounding trees and to convey to torching, sanding, staining, painting, and even wood.
A struggle with confidence depicted through micro design details
“You keep dancing with a day, (and), (and one day, he is the one who follows your home,” hero in the opening scene is the preacher of Sammy Moore (Miles Caton) and father and father and father of father and father. A young blues composer Sammy, Sammy, is ready to play in his father’s gorge of Juke, hosted by his cousin Smok and Stack. Leaves its duties, which at first glance indicates disobeying disobedience. Was.”
The church is based on the sunflower plantation of Clarksdel. The set itself was built in Laurel Valley Plantation in Thibodox, Louisiana. Beachr’s team inspired the vicular clapboard appreciation homes established by African Americans across the delta. The main factors he weighed for the church was its size and materials, to tell a story of all the character’s access – or lack of some resources. Its exterior (double wood entry door and a small lover window on the peak, which is shaped in an exaggerated triangular silhouette) was made of sawdust wood cuts, which are also used in Juke United and Sammy and Annie (Vunmi Mosku) houses. “As the wood dried up, it naturally increased the age in paint and shrunk slightly to leave the walls and small intervals in the floor,” she says. The beam supporting the roof was shaped like a “Wakanda cross arm gesture”, beachler says, a node to two Black Panther, Another blockbuster on which Kougler, Jordan and Beachr collaborated. The set designer paid specific attention to the “smallest detail” in the church, with “the distance of the stud is 33 inches – the age Jesus died, a signator of the end,” she notes.
