As immersive video content visual stories, talented visuals become a major way of telling artists Malay Not only maximum challenges have to be faced, but they have new possibilities to give the world to the world before. One such example is Bono: Surrender StoriesA new film available in 2D and 3D versions, the first feature-length apple for the Apple Vision Pro headset marks the film film. Offer was the creative director of the film, who worked with making both 2D and immersive versions, they can be the best for two very different means.
Creating first feature-length film in apple immersive video
Bono: Surrender Stories There is a unique project because it is not only the first feature-length apple immersive video for vision Pro, but it is also available in traditional 2D form. The film’s premiere was at the 78th Cannes Film Festival in 2D last month and it is also available on Apple TV+ for non-vision Pro owners in 2D. Two mediums are extremely different, which meant different challenges for the proposal.
“The most difficult part was finding out how to include Bono’s art and style in a immersive experience that would help to outline the performance and delivery of the bono and make it heavy,” the proposal explains Petpixel“How, as Bono said, bring ‘gidality’ which was part of his book and in 3D spaces and in 3D spaces in the stage show and in 3D spaces, which were shot on special apples high resolution, high speed, cameras.”
Details about Apple’s special cameras are still relatively rare, it uses to film immersive content for Vision Pro, but it is a safe condition that is similar to the rig This is from a blackmazicOffers say that the cameras shoot with a full 180-degree area for 90 frames per second on the camera “extremely high resolution”.
Imagine 3D in a 2D workflow
Offer says that a special technical challenge was trying to imagine the immersive version of the film in a traditional video workflow, which depends a lot on 2D storyboards and software.
“We had to cheat the perspective and composition a little to express the right idea,” explains the proposal. “The reality is that for some parts that were not possible right now and we had to actually create full 3D stereo compositions to understand how all this works together in 3D immersion space. The team in the team TenantThe creative studios responsible for all aspects from the creative direction through execution, design, animation and VFX had to come up with new methods that I wanted to give the final product to help express the feeling and experience that I wanted to express that feeling and experience. ,
This type of challenge is done to try to express the immersive aspects Bono: Surrender Stories Pro for those on Apple Vision Pro. Those who do not have a headset. It is like trying to consider someone in a language that they do not understand.
“It is useless! I can talk for an hour and build a mountain of words to tell what it looks like, but until you experience it in Apple Vision Pro and actually become hit with the effect of the medium, then it feels that you are in the middle of it and we build the art of the bone, as you are, as you are,”
However, there is a silver lining.
“On the contrary, people are watching the first time passing through it and looking at their fruit reactions. Avak has been literally released by looking at experienced journalists.”
This is especially satisfactory to watch these reactions because making an immersive film is very useful.
“In many ways, in many ways the theater is more like a theater in many ways working in immersive VR space. Certainly, you still get to control what is in front of the audience, but you have to consider too much that when your brain takes into account spatial relationships, it creates a pleasant creation,” proposals.
“Things that can look quite dirty as a 2D projection of the immersive scene, really very clean. Once your brain understands that one line is far behind the second line. We had to create a lot of composition with 3D glasses or to adjust things after looking at things in the immersive view, because a 2D window did not look like a good composition in a 2D window when he did not look like a good composition in the world.
How Emarsiv 3D Video differs from traditional 2D movies
The composition can be quite challenging with an expander place in which it is to play. In traditional 2D movies with low field, filmmakers can use these boundaries to control more easily where the audience sees specific time. Everything is more controlled and approximate.
With immersive content on Vision Pro, it is difficult to know that anyone is watching at any time.
“It is very difficult to focus in this medium in this medium because your viewing field is much larger than the movie theater,” the proposal explains. “Things are getting down and up, so the viewer takes too much restraint to keep it to see where you want them.”
Another aspect is that, as long as the editors especially tweek something, almost everything is always in meditation, so using the depth of the area to control the viewer’s attention is also not necessary to have an option.
“Many times less is, it was the approach that had to take us to ensure that to draw attention where we wanted it to distract the audience. Similar to a traditional 2D film but very large canvas, so many times they consider more,” proposals.
While Ala and Challenging, Emarsiv videos have a serious story
So far, important response Bono: Surrender Stories It has been very positive for 2D and immersive video versions. However, Apple Vision Pro remains a niche, expensive technology that is not almost accessible as traditional performance and Apple TV+ membership. As the offer describes, immersive video and vision pro are still in the “experimental phase”.
“It is quite exciting to see how every filmmaker working in medium uses it in new ways. I have no doubt that many traditional filmmakers will be wooed to try their hand to work in this new medium of visual story telling,” says Off.
“It presents so many new ways to create emotion through the scene and I am very interested in seeing what comes next. In short, your guess is as good as mine, but it is really a good moment, as for me personally, I will use Vision Pro again. For the right project, for the right project, there is nothing like an opportunity to create emotions that applies to the apple vision Pro and I hope!”
Apple Vision is another aspect of Pro that offers call outs. Because Apple Vision Pro is the only way to see Bono: Surrender Stories In the Apple Immersive Video, this is a tightly controlled environment. Everyone who sees the immersive version of the film will see it with the same screen on the same device.
Although it was challenging to match the color location and grading from one version to another as the Micro-Olade Screen of the Vision Pro could achieve the correct black level, the team was able to contact differently even while working to maintain a consistent look in all formats.
There were also technical barriers to cross, as it is the first feature-length immersive film for Apple Vision Pro.
“We also had to consider how long it was possible to play an immersive piece in the Apple Vision Pro at a very high bit rate without running in buffering and other issues, and Beta helps to test the immersive viewing utility, which allowed us to preview work on Apple Vision Pro – all these are all different questions that we were working to answer.”
This is always special in line with a novel technique. While this can be difficult, the proposal believes in immersive video format.
“I am confident that emergive video will continue to grow in popularity because as a medium it can actually create such a strong emotional, intestinal response that is really impossible to match in 2D movies. Especially on devices with high resolution and frame rates – your brain that you’re not seeing is not real.”
Bono: Surrender Stories Apple is now available to watch on TV+ and in immersive videos on Apple Vision Pro. The film was directed by Andrew Dominic with cinematography by Eric Messrschimidt. The film was produced by Apple Original Films, Plan B Entertainment and Radical Meedia.
Image Credit: Apple
