A few days ago, Anthony Vaikarelo posted a video snipyt of model Amalia Varily on her Instagram account. He is one of the completely beautiful YSL women that ruled on the runway of Msary St. Laurent in the 1990s, when the designer’s mythical past dwarfed everything including himself. Off-Camera, someone asks Verili: “What is the memory of Amalia, St. Laurent, St. Laurent?” Vaireli brightened the most spectacular winning smile as her answer – and a lifetime of man’s memories – she has. “It’s love,” she says. “Love, unspecified word.”
This run of Paris shows that one of what is going on in my mind is how much creativity and feelings are rescued together. It seems that you can’t really be without one, and they do the best when all the artifes and hypocrisy are taken away when they are in the lockstap. Anthony Wakeralo, if his decline for St. Laurent is 2025, is of the same mindset.
Some were suffering from tenderness with the feeling that went here; A sensitivity, a vulnerability-this was not a ridiculous fashion-Ji perception of runway Valkyries. Instead, just cutting, building and coloring an immorally excellent and respectable exercise – and what major, major colors: Fuscia, Coral, Amethyst, Geru, Emerald, Citrin, Terracotta, and Olive, Et al-What are they to do. Like St. Laurent’s memory, it was love without the need to speak. The clothes said all this.
Except, of course, American journalists are backstages before the show started, quizzing what he had in his mind this season, and what he was thinking is clearly and good. “I wanted anything clean, without ornamentation, no decoration, no … nothing,” he said. “To push the silhouette in these saturated colors – this is the most color I have ever done – washed satin, and technical jersey, which I have never used before, for a stretch spirit.
Waxrello was referring to the 90s’s 90s Haate Couture Collections of St. Laurent, which is his favorite period because the fashion world was to the point that used to say that YSL was very badly got olderAnd it provides the right opportunity for revaluation. The silhouette of the waxarell started on the shoulder from the boulder and dripping towards the hem – an inverted triangle – deprived of visible fastening for its clearly high collar coat, slowly belts on the hip; Mostly fully uncontrolled sack fabric, save to the version in gipoor laces; Dhanush back blouse with narrow skirt (there was a pair of pants in sight); And, who has become omnipresent YSL for the house, as a tux, thanks to the waxreo, leather blossom, all the unconstitutional attitude with their bold shoulders and shrug-on-on swagar.
